月兎堂

MinMin
2018 年開始接觸石粉黏土後,便深深著迷於這項媒材。
從一塊原始的黏土開始塑形,到作品逐漸成形的過程,需要大量的耐心與時間。時間的堆疊不僅雕塑出作品的輪廓,也成為與自己對話的時刻——緩慢,卻真實而深刻。


2023 年創立品牌「月兎堂」,正式展開創作活動。雖然步伐仍然緩慢,但正持續朝著張子人形的創作方向前進,一點一滴構築屬於自己的世界。
In 2023, I founded the brand “Getsudou” (月兎堂) and officially began my creative journey. Though my pace remains gentle and steady, I continue moving toward the creation of Zhangzi-style dolls, gradually building a world of my own.

https://www.instagram.com/gettodou_minmin

石粉粘土、人形、張子創作
Stone powder clay, dolls, and papier mache creations

黏土、關節人形 作品

關節人形 / 石粉黏土

這件作品完成於 2024 年,是目前所有作品中,我最喜歡的比例設定。

創作過程中曾一度陷入停滯,但最終仍選擇慢慢完成它。能夠堅持到最後,對我而言是一段很重要的經歷。

眼睛部分為手繪製作,加入帶有閃亮效果的顏料呈現細緻光澤;使用的媒材為虫玉色壓克力顏料,使整體色彩更顯柔和而富有層次。

This piece was completed in 2024 and is currently my favorite in terms of proportions among all my works.

There was a period of creative stagnation during the process, but I chose to continue and bring it to completion. Being able to persist until the end became a meaningful experience for me.

The eyes are hand-painted and finished with shimmering pigment to create a subtle glow. Mushidama-colored acrylic paint was used, giving the overall tone a soft yet layered appearance.

張子

張子人形創作始於 2018 年。

因為非常喜愛日本的傳統民俗玩具,在親自走訪日本玩具博物館後,心中萌生了想親手製作的念頭。從最初的嘗試開始,經歷了無數次失敗與修正,在反覆摸索與調整中,逐漸找到了屬於自己的製作方式。

這段過程雖然漫長,卻也讓創作更加踏實而純粹。
目前仍持續累積作品,慢慢構築屬於自己的張子人形世界。

My Zhangzi-style doll creations began in 2018.

My deep appreciation for traditional Japanese folk toys led me to visit museums in Japan, where I first felt the desire to create them myself. The journey began with many attempts—often ending in failure—but through continuous adjustments and experimentation, I gradually discovered my own method of making them.

Although the process has been long, it has made the work feel more grounded and sincere.
I am still steadily building and expanding this body of work, shaping my own world of Zhangzi-style dolls.


「在一次次修正與等待之中,時間不只是流逝,
而是悄悄留在作品裡。

Through revision and waiting,
time does not simply pass—
it quietly remains within the work.